‘Eun Ju’ oil study, based on the Arnolfini Marriage

Oil study of Eun Ju, based on Andrew Tift’s acrylic painting, ‘Alexander and Eun Ju’, itself an interpretation of Jan Van Eyck’s Arnolfini Marriage

A throwback to one of my oil painting studies in 2005, part of my art project which explored cultural identity and the intellectual legacy of indigenous cultures, as well as ‘non-western’ cultural traditions.

Painted on A3 cartridge paper (in very small brushes!), it depicts ‘Eun Ju’, after artist Andrew Tift’s ‘Alexander and Eun Ju.’

The original portrait took on new significance for me as it was Tift’s subjective take on Jan Van Eyck’s Arnolfini marriage, painted in 1422-4. Filled with symbolism, it shows both the unifying, protection and preservation of cultures, something of interest to me with my own cultural background.
Eun Ju wears a hanbok, perhaps to sustain Korean tradition. Along with language, religion and cultural patterns such as dance, food, housing and aesthetics, apparel plays a vital role in the preservation and expression of cultural identity.

My school entered my art project, titled ‘Vanishing Cultures’ into the Surrey Art Award, and I’m delighted to say it won first place.

I had begun selling my paintings to my teachers a few years before this, but around this time I began portrait commissions that continued to this day.

A Nutcracker Christmas

I have always had a love for the whimsical nature of nutcrackers, these wooden toy soldiers from late 17th-century Germany with their bright colours. According to German tradition, they are symbols of good luck and will frighten away malevolent spirits. They originate in Erzgebirge, or the Ore Mountains, a forested region known for handmade wooden products, arts and craftsmanship. They were given as gifts and soon became associated with Christmas.

This is a glimpse of my work in progress artwork, painted in oil on linen as a Christmas gift.

Keep an eye out for the final painting!

Art exhibition at Henley Royal Regatta on 2-7 July, 2024

Henley Royal Regatta logo

I’m delighted to be exhibiting a new series of original oil paintings at the best-known regatta in the world, Henley Royal Regatta (also referred to as H.R.R.) in July.

This quintessentially British event is a highlight of both the summer sporting calendar and the social season, attracting thousands of spectators to watch over 300 races of an international standard. These races include Olympic rowers as well as new crews.

The Stewards’ Enclosure is situated on the Berkshire side of the river and is open to Members and their Guests. Perfectly positioned with a view of the Finish Line, the Stewards’ Enclosure boasts two Grandstands from where you can watch the racing and enjoy sweeping views of the Regatta Course, with the stunning backdrop of Henley town and St Mary’s Church tower.

My art will be on display at the Art Gallery within the Stewards Enclosure, with a preview evening on one of the event days.

Rules of the Regatta dictate that artworks should encompass one or more of the following three themes:

  • Henley Royal Regatta
  • The Henley Reach of the Thames
  • Henley Town
  • The Sport of Rowing (not including other events or stretches of river).

Whether you’re a first-timer or a seasoned Member, the Regatta is sure to offer you a great day out – with plenty of racing action, great food & drink, and an electric atmosphere.

More details coming soon!

Sussex Art Fair, Goodwood Racecourse | 10-12 May, 2024

I’m excited to exhibit at Sussex Art Fair, within the beautiful surroundings of the Goodwood estate at Goodwood Racecourse in May.

Sussex Art Fair takes place at Goodwood Racecourse, Selhurst Park Road, Chichester, West Sussex PO18 0PS, in the heart of the Sussex Downs where you can experience 90 exhibitors with 1000s of artworks available for purchase.

Starting on the Friday Preview Evening, visitors will be able to browse their favourite artworks along with a complimentary glass of bubbly and be the first to view exhibitors collections before the event opens to the general public over the weekend.

Facilities include extensive visitors parking, wheelchair accessibility, a full café serving tea, coffee and food.

Sussex Art Fair continues its collaboration with Sussex Wildlife Trust, a conservation charity that cares about protecting the wonderfully rich natural life that is found in our Sussex towns, countryside and coast. Visitors can purchase original artworks kindly donated by our exhibitors, each work priced at £50 with all proceeds going to the charity.

Being the largest art fair within the Sussex Counties, Sussex Art Fair is the perfect place to begin your art collection, or indeed add to your collection if you are already a seasoned art enthusiast.

Sitting in the drawing room at Goodwood House.

Work in progress oil painting – the John Deere Model D tractor ornament

Aside from painting a nutcracker over Christmas, I also painted a delightful tractor ornament as a Christmas gift. The Model D was introduced in 1923 as John Deere’s first mass-produced tractor. By 1935, steel wheels were being replaced by rubber tires on most models. It had the longest model run for the company, running until 1953.

This is a glimpse of it as a work in progress, stay tuned for the final painting..

Deep Sea Hydrothermal Vents: Essential for Life on this Planet

In the new global race war for minerals and sustainability, Hydrothermal Vents, existing 4,000 metres (13,000 feet) below the ocean surface, have become a source of exploitation and vulnerability.

Deep in the abyss, there is an oasis of life.

Rising from the seafloor in spire-like forms, 55 meter (180ft) high chimneys filled with hot mineral-rich fluids erupt, appearing as cities or fortresses. They are alien-like structures, existing at the furthest depths of the ocean. Despite extreme pressures, temperatures, and toxic chemicals, they support an abundance of lifeforms, many species of which are unique and cannot be found anywhere else on the planet.

I wanted to capture the otherworldly beauty and nature of these vents in my oil pastel drawings, as I was concerned about the need to protect and conserve them. The more I discover these vents, the more I realise how fundamental they are to the health of the planet and their role in the global energy crisis. Many vents are rich in rare earth metals like cobalt, gold, and copper, necessary ingredients for electronic components. Ed Conway, Economics and Data Editor at Sky News, has called our times an ‘arms race’ for battery production.

‘Filamentous Bacteria at Castle Vent,’ Oil Pastel on Paper, by Charlotte Iggulden

University of Southampton’s ‘Exploring Our Ocean’ Course

Since completing a short course on Oceanography, hosted by the University of Southampton, I have immersed myself in the ethereal and fascinating world of hydrothermal vents.

As part of the course, Dr. Jon Copley shared his experience of diving down in a submersible vehicle to the Cayman Ridge. I was immediately captivated by their enigmatic qualities, these strange, gnarly smoking spires erupting out of the earth’s crust. They looked primeval, and indeed are ancient, connecting the earth’s unseen inner architecture and our visible landscape. Some vent fields are active for 10,000 years.

My drawings of Castle Vent and El Guapo were inspired by images from a 2013 Science in the News (SITN) lecture, ‘The Alien Worlds of Hydrothermal Vents,’ presented by Heather Olins. The artwork ‘The Cathedral’ is an imagined landscape, based on maps of deep-sea vent fields on the ocean floor and images from the NOAA website.

Only 20% of the ocean has been explored, with just 5% of the ocean floor mapped. Due to its inhospitable conditions, inaccessibility, and cost, more people have been to the moon than they have to the bottom of the ocean. Yet life exists. As Heather argues, they are alien worlds; as satellites have difficulty penetrating water, we have better images of Mars than the ocean floor.

What Are Hydrothermal Vents?

According to the National Oceanic and Atmospheric Administration (NOAA), scientists first discovered hydrothermal vents in 1977, whilst exploring an oceanic spreading ridge located near the Galapagos Islands. They noticed several temperature spikes in their data and wondered how the deep-ocean temperature could quickly change from near freezing to 400 degrees Celsius (750 degrees Fahrenheit).

These chimneys are found across the ocean, usually forming in vast vent fields, along the Mid-Ocean Ridges, such as the Mid Atlantic Ridge and the East Pacific Rise, stretching along 3000km of the mid-ocean ridge. They are essentially underwater hot springs or geysers, forming around volcanic regions as plate tectonics spread apart. Ocean water enters the fissures and percolates through the earth’s crust, becoming geothermally heated by the magma in the upper crust. The water collects minerals within the crust, such as iron and manganese; when it contacts the almost freezing seawater and oxygen, the dissolved minerals crystalize, solidifying to form chimney-like vents and depositing metalliferous sediments, alongside releasing plumes of toxic chemicals. The tallest vent found, ‘Godzilla,’ was 16 stories high before it collapsed in the 1990s.  

Research of the Endeavour Field and other mid-ocean ridges has led MBARI geologists and researchers to propose the theory of Hydrothermal Vent Field/Ridge Evolution:

  1. Magmatic phase: Lasts up to tens of thousands of years, with substantial amounts of magma erupting and spreading across the seafloor.
  2. Tectonic phase: Lasts around 5,000 years; magma production slows, and the ocean floor cools and contracts. Spreading continues further down in the crust. The axial valley sinks, and cracks and faults form in the seafloor.
  3. Hydrothermal phase: Lasts a few thousand years; resurgent magma below the surface heats fluid that percolates up through cracks in the seafloor, forming many vents.
‘The Cathedral’ (imagined landscape, inspired by hydrothermal vent field maps on the seafloor and NOAA images), Oil Pastel on Paper, by Charlotte Iggulden

Hydrothermal Vent Ecosystems

The scientists who discovered the vents were also shocked to discover hundreds of new species. The smokers supported unique ecosystems, composed of highly specialised and simple organisms, some thermophilic microbes that thrive in high temperatures, such as yeti crabs, giant tube worms, limpets, shrimp, and clams. These vent communities are ancient and well established, with many building blocks of life and some of the most primitive lifeforms on earth.

It confounded the science community. Before their discovery, it had been thought that life could only exist via photosynthesis and sunlight. Life at the bottom of the ocean would be scarce, the only energy available from scraps of whale carcasses.

The toxic concoction of chemicals present at these vents is lethal to most forms of life. However, despite the lack of sunlight, toxic minerals, chemicals, and extreme pressures and temperatures, bacteria were converting the poisonous vent minerals into energy through chemosynthesis, providing food for other vent organisms. Species’ existence may be cut short, as vents sometimes suddenly become inactive.

A few facts on Hydrothermal vent organisms:

  1. Giant tube worms grow up to 3m in length; they are the fastest-growing marine invertebrates known.
  2. 95/% of these organisms are unique to the vent ecosystem, with new discoveries previously unknown to science. Many don’t seem to be closely related to any other creature on the planet, which suggests they likely belong to a divergent evolutionary path.
  3. Over 590 new animal species have been identified living at these vents.
  4. Less than 50 active sites have been investigated.

Types of Hydrothermal Vents

  1. Black smokers – These are the most common types of vents, and the hottest, emitting mainly sulfides and iron. The high levels of sulphides precipitate on contact with the cold ocean to form black smoke. Over 50m tall, the chimney is filled with silica, which is very hard. These vents are often found in the bathypelagic zone of the open ocean, between 1,000 to 4,000m (3,300ft-13,000 ft) below the ocean surface but can also be found in lesser depths as well as deeper in the abyss. This lack of sunlight or photosynthesis has led to the region being designated the ‘midnight zone,’ located between the ‘twilight’ mesopelagic’ zone above, and the abyssopelagic zone below. The latter is virtual darkness, covering 83% of the total area of the ocean.
  2. White smokers – These vents release cooler water and lighter-hued minerals containing mainly calcium and silicon, as well as barium.

Some vents emit carbon dioxide gas in a constant stream of bubbles.

‘El Guapo – Black Smoker emitting hydrothermal fluid,’ Oil Pastel on Paper, by Charlotte Iggulden

Hydrothermal Mineral Deposits

Vent zones contain polymetallic sulfides that are rich in zinc and copper. Large amounts of copper are deposited when the hydrothermal vents form. Inside the chimneys are seafloor massive sulfides (SMS) or sulfide deposits containing gold, cobalt, silver, and manganese.

In a hydrothermal vent cross-section shown in Heather’s lecture, minerals include white anhydrite sulfite, pyrite cubes ‘fool’s gold’ sulphide, iron, sulphur, zinc, mini crystals sphalerite, or chalcopyrite copper as opposed to zinc. The distinct layers are determined by temperature and chemistry. The more gold sulphide is found, the older and harder the vent is.

According to Woods Hole Oceanographic Institute, ‘seafloor deposits can be more than a thousand times richer in some metals than mineral deposits on land.’

‘El Guapo – Black Smoker with precious minerals and metals,’ Oil Pastel on Paper, by Charlotte Iggulden

Deep-Sea Mining: The Race War for Minerals

Due to diminishing natural resources and fossil fuels in recent times and the transition to sustainability and renewable energy, mining companies have begun to consider the deep sea as the next mineral mine.  

To achieve COP26’s 1.5C goal for climate change, the UK has entered a race war for precious minerals and metals, such as copper, cobalt, iron, gold, nickel, zinc, and aluminium, all of which are needed for a variety of industries, mainly as electronic components.

Alongside lithium, cobalt is a necessary ingredient necessary for battery production, however, its unsustainable and unethical means of obtaining it might inadvertently result in vent exploitation.

According to Goldman Sachs, demand for copper (used in electrical wiring) could rise 900% by 2030, its price predicted to reach $6.80 per pound by 2025. The metal has been hailed as ‘The new oil’ and even a national security issue due to its strategic value.

In an extract from Mining Feeds, the authors of the Goldman Sachs report ‘Nicholas Snowdon, Daniel Sharp, and Jeffrey Curries estimate that demand from electrification “will grow nearly 600% to 5.4Mt (million tonnes) in our base case and 900% to 8.7Mt in the case of hyper adoption of green technologies” by 2030. In the conservative base case, copper miners would see a massive demand to be filled surge faster than current production and production plans can accommodate. In the case of “hyper adoption of green technologies,” the world is likely to see a problematic copper shortage that is certain to push the price higher and faster.’

The University of Southampton’s oceanography course presenters, Professor Rachel Mills and Dr. Jon Copley revealed how companies have known about the mineral deposits at hydrothermal vents for years, however largely due to a lack of resources have been unable to obtain them. At deep-sea vents, there is a weight of a mile-and-a-half of ocean lying on top, ranging from 40 to over 110 times the pressure of Earth’s atmosphere.

Dr. Jon Copley began writing about the concerns of deep-sea mining and exploitation of copper in 2014: ‘Mining at deep-sea hydrothermal vents: what are potential impacts on marine life?’ A highly respected scientist who advised on the BBC’s Blue Planet series, Jon has been advising companies on how to do so sustainably, without damaging vent ecosystems.

It is incredibly important that marine geoscientists collaborate with companies and policymakers to ensure the ethical and sustainable extraction of resources if this becomes a necessity. The ocean is essential for life on this planet.

Hydrothermal vents act as a natural plumbing system, transporting heat and chemicals for the ocean, alongside adding elements from seafloor rocks. Scientists estimate that the entire volume of the world’s oceans cycles through hydrothermal vent systems along the global Mid-Ocean Ridge every 10-20 million years or so.

A Blue Planet

The ocean comprises approximately 70% of the planet we live on. You wouldn’t be wrong in saying we live on a Blue Planet.

The ocean is an incredible feat of nature:

  1. According to NASA, it consists of 99% of the habitable space on the planet.
  2. It produces more oxygen than the Amazon.
  3. The ocean contains 97% of all the water on earth.
  4. It accounts for 80% of the world’s biodiversity.
  5. The ocean produces more than 50% of the oxygen we breathe on earth. As it was pointed out at the Marine Conservation Institute’s recent fundraising gala, one of every two breaths we take is from the ocean.
  6. The deepest part of the planet is the Mariana Trench, near the Philippines, at 10,994 meters (36,070ft) below sea level. The Cayman Ridge is the second deepest.
‘Seashell with Bioluminescence,’ Oil Paint on Paper, by Charlotte Iggulden

Outer Space and Hydrothermal Vents

Astronauts like to visit the deep sea. Aside from mimicking zero gravity, it is like another planet.

Unique lifeforms can be found at hydrothermal vents that exist nowhere else. Known as extremophiles, these organisms thrive in hostile conditions that otherwise would be impossible. Active hydrothermal vents are believed to exist on Jupiter’s moon and natural satellite, Europa, and Saturn’s moon Enceladus. It is also believed that Mars might have once supported ancient hydrothermal vents.

Ganymede (another of Jupiter’s satellites) and Saturn’s satellite Titan are both thought to support life.

‘Blue Moon,’ Oil Paint on Canvas, by Charlotte Iggulden

Hydrothermal Vents: Uniquely Vulnerable Ecosystems

As the ocean is essential for life on this planet, so too are hydrothermal vents, being essentially connected to the ocean as a plumbing system. Their destruction could be disastrous.

The deep-sea is one of the last remaining mysteries of our planet to science. It is largely unexplored. However, this presents a dilemma: if we explore the last frontier on earth and discover all its secrets, species, and potential opportunities to help advance medicine or produce renewable energy, the ocean, and its incredible habitat become vulnerable to exploitation, deep-sea mining, and pollution. In our fervent, and perhaps reactionary desire to save the planet, our actions would be misled, no matter their pure intentions. In reaching for sustainability, it is compromising the very planet we are hoping to save.

There is a need for balance, to only take what we need from the planet, a circular economy. These vents may be subject to mining at some point, but it would need to be done sustainably or as a last resort. Ideally, we should consider other, more renewable alternatives and greener technologies.

It is imperative that the ocean is protected and that mining companies effectively collaborate with scientists around the world. Any exploration or exploitation should be done cautiously and with respect to ocean communities both in the sea and that rely on the sea.

It is a complex issue, and the solution is not always so clear-cut. I have always found the following quote inspiring and very poignant, in relation to maintaining the fine balance and health of the planet, and our relationship with it. Everything is connected. It is not random we are on this planet; we are custodians and guardians of the earth around us.

Sometimes it is indigenous peoples, and those with the closest connection to nature and their environment, that direction and wisdom can be found.

“Only when the last tree has been cut down, the last fish been caught, and the last stream poisoned, will we realize we cannot eat money.”

Cree First Nations proverb.

Dino 101 and Ancient Marine Reptiles – University of Alberta

During the summer of 2020, I thought it would be fun to explore my interest in the natural history of our planet and its many mysteries, by enrolling in a few (three, to be exact) online courses. I have been interested in myths and legends like sea monsters and their symbolism in different cultures for a long time, as well as the scientific knowledge behind them.

After researching a few courses online, I signed up for Dino 101: Dinosaur Paleobiology and Paleontology: Ancient Marine Reptiles at The University of Alberta, Canada, which is currently running a number of Massive Open Online Courses (MOOCS).

Since their extinction, the fossilized remains of giant dinosaurs and ancient marine reptiles have taken on an almost mythical status and have understandably inspired generations.

I find it interesting how people interpret any new species using their imagination and pre-held associations; I am reminded of a woodcut that Albrecht Dürer produced based on someone’s description of an armoured rhinoceros:

Albrecht Dürer, Woodcut, The Rhinoceros

I found the University of Alberta’s courses were fascinating and well presented, with generous resources to present paleobiology in a dynamic new way. They were great foundations to practice and learn scientific critical thinking.

Here is a brief overview of the courses at the University of Alberta.

Dino 101: Dinosaur Paleobiology

The world’s first paleobiology MOOC, Dino 101 is led by Dr. Phil Currie, Curator of Dinosaurs and Professor of Paleobiology at the University of Alberta, alongside former MSc student of Paleontology, Betsy Kruk. The course consists of twelve lessons covering the Mesozoic era (Triassic, Jurassic, and Cretaceous periods). Learn more about non-avian dinosaurs such as Stegosaurus, Spinosaurus, long-necked sauropods like Brachiosaurus, and predatory Therapods like Allosaurus, Velociraptors, and Tyrannosaurus Rex. Lessons are delivered from museums, fossil-preparation labs, and dig sites, highlighting the rich resources of Alberta. To aid their learning, students can build a skeleton during the course, and use a fossil viewer.

Topics include:

  1. Anatomy
  2. Eating
  3. Locomotion
  4. Growth
  5. Environmental and behavioural adaptations
  6. Origins and extinction.

Paleontology: Ancient Marine Reptiles

This is a four-lesson MOOC presented by Dr. Scott Persons, a former Ph.D. student of Evolution and Systematics at the University of Alberta. The course assesses the diversity, adaptations, convergence, and phylogenetic relationships of extinct marine reptiles, and the changes that occur when air-breathing terrestrial animals return to the water. The course makes many comparisons to extant (living) reptiles and animals, giving students a comprehensive introduction to animal biology.

Fun fact: Ancient marine reptiles are NOT dinosaurs!

The course focused on the following extinct marine reptiles and how they solved the aquatic problem such as movement, sight, and hearing:

  1. Ichthyosaurs: highly specialized carnivorous aquatic reptiles from early Triassic to mid-Cretaceous; similar in shape to a dolphin or bluefin tuna, they were among the fastest aquatic creatures to have ever lived.
  2. Sauropterygians: Covers diverse species from the late-Triassic to end-Cretaceous reptiles such as the Turtle shaped placodonts with crushing teeth, to the long-necked elasmosaurus and large-jawed pliosaurs.
  3. Mosasaurs: As featured in the film Jurassic World, this group was among the largest and most powerful marine predators to have ever lived. They ruled the seas in the Cretaceous period and are the ancestors of snakes and monitor lizards.

Thank you to the scientists who took the time to deliver the courses in such a fun and engaging way.

Thank you also to Dr. Phil Currie for suggesting I draw the pictured dinosaur skull of their most famous specimen, a small pachycephalosaurid named Stegoceras that was first discovered in Alberta. Its domed skull, horns, and teeth have been remarkably well preserved, I enjoyed capturing the various textures in pencil:

1958 Lister-Chevrolet ‘Knobbly’ car drawing at Goodwood Revival

An homage to Goodwood Revival 2020

Goodwood Revival is a unique three-day festival held annually in September that recreates the 1940s, 50s, and 60s era of motorsport, with vintage cars, aircraft, fashion, and music celebrating the circuit’s original period between 1948-1966. Held on the grounds of the Goodwood Estate in Chichester, West Sussex, UK, over 150,000 vintage enthusiasts are encouraged to dress in period clothes to help immerse themselves in a historic car race day.

My family and I had booked to attend the Goodwood Revival finals day on Sunday, 13th September 2020, however, due to efforts to fight the coronavirus pandemic, the event has sadly been postponed until 2021. The Revival attracts such large crowds of spectators that enforced social distancing measures would have impaired the visitor’s enjoyment of the event.

Watch the greatest Revival races online from 11th-13th September 2020

Despite being unable to hold the event this year, the Goodwood team has searched the archive and selected the greatest races from the history of the Revival to stream online over 11-13th September 2020. Fans can still immerse themselves in the spirit of Goodwood Revival by tuning in from 10:00 am on the Goodwood Road and Racing website and on Facebook, Twitter, and Instagram.

Goodwood SpeedWeek, 16th-18th October 2020

Goodwood is also taking the opportunity to preview Goodwood SpeedWeek presented by Mastercard. Held without spectators at Goodwood Motor Circuit, this inaugural event will combine the best aspects from the Revival, the Festival of Speed, and their Members’ Meetings to add to its exclusivity.

Annual Revival favourites such as the RAC TT Celebration for GT cars and the Grand Prix race for the Goodwood Trophy, as well as supercar debuts and new car reveals from the Festival of Speed. Cars will leave the circuit to use areas normally reserved for spectators or buildings. There will also be the first-ever set of rally stages on both tarmac and gravel within the Circuit, gathering cars that represent nearly half a century of the World Rally Championship.

The event will be streamed live through the Goodwood Road and Racing website and their social media channels on Facebook, Twitter, and Instagram. Viewers and fans will be able to get involved by participating in competitions, virtual polls, quizzes, and race predictions.

Why I drew the 1958 Lister-Chevrolet ‘Knobbly’ from the Revival

I had already decided to draw several classic cars, supercars, and motorbikes over a few months in the summer, due to a client’s interest in a commission. It also happened to be the birthday of a family member and taking the Revival as inspiration, I drew the 1958 Lister-Chevrolet ‘Knobbly’ in pencil as a gift.

There were many beautiful classic cars at Goodwood Revival, but I chose to draw the 1958 Lister-Chevrolet ‘Knobbly’ as its aerodynamic design, sleek, elongated curves, side exhaust pipes, and unique appearance immediately appealed to me. It was also one of the historic cars racing that day. This particular model caught my eye just before it was due to race on the circuit. I changed the racing number to a 7 as I knew it was the favourite number of the person for whom I gifted the drawing. I thought that a pencil drawing would give a handcrafted and classic, vintage look, as opposed to an oil painting in colour.

1958 Lister-Chevrolet ‘Knobbly’ car at Goodwood Revival, pencil drawing by Charlotte Iggulden

I am naturally inclined towards vintage and classic cars, possibly because I have been raised in a family that has enjoyed, collected, and driven classic cars over the years. However, as a fine artist, I think that classic car designs have a sophisticated degree of individuality and are incredibly beautiful; their handcrafted look appears as a work of art. I will admit that classic cars are not necessarily the most practical, but they are beautiful to look at and the feeling you get when driving or being driven in one adds far more to the driving experience.

Closeup of the 1958 Lister-Chevrolet ‘Knobbly,’ pencil drawing by Charlotte Iggulden

Lister Motor Company

Founded by Brian Lister in 1951, Lister Motor Company is Britain’s oldest car racing manufacturer and was the country’s most successful sports racing car of the 1950s; it won almost every circuit in the UK and was virtually unbeaten overseas. It is now perhaps the most respected historic race car manufacturer in the world.

Lister Classics is a division of the Lister Motor Company and was founded by Father and son team, Andrew and Lawrence Whittaker, who purchased the company in 2013 to continue building, restoring, and selling a variety of historic racing cars and tuned Jaguar vehicles. You can follow Lister’s official social media accounts on Facebook, Instagram, and Twitter.

Goodwood Revival Fashion

As a gloriously fun step back in time, Goodwood Revival celebrates not only the cars of the 40s-60s eras but also the fashion styles. For anyone who loves vintage fashion, Goodwood Revival is a wonderful event to immerse yourself in.

The Goodwood Revival website has various site pages dedicated to vintage fashion, with ladies and gentlemen style guides for the 1940s, ’50s, and ’60s. There are also a few websites that provide style guides for Goodwood Revival specifically, such as the House of Foxy which gives advice on the ’40s and ’50s clothes for women.

Here I am dressed in a vintage 1950s outfit at Goodwood Revival 2019

Goodwood Motorsport Events 2021

To find out more about attending the Goodwood Revival and Festival of Speed events in 2021, visit Goodwood’s website to sign up for ticket alerts.

Whale Sharks: Giants of the Ocean

I painted this close encounter of a scuba diver swimming with whale sharks (Rhincodon Typus) in the Philippines as part of a series of commissioned oil paintings in 2016.* 
 
I included a scuba diver to highlight the incredible size of the whale shark compared to a human, as well as its majestic presence. I wanted to suggest their meeting as a wondrous yet intimate moment in time between humanity and nature.
 
*See more in the section ‘Whale sharks and biodiversity in the Philippines.’

Elusive and mysterious

Adult whale sharks are often found at the surface, making them popular with snorkelers and divers. Despite their friendliness, these creatures remain enigmatic to scientists and conservationists; their maximum size, lifespan, and age of sexual maturity unconfirmed. Researchers are also unsure why they have spots.*
 
*See more on these topics in the following sections.

Ocean giants

Whale sharks (Rhincodon Typus) are the largest known extant fish species in the world. They are not whales, but their size is comparable. They dwarf great white sharks in size; the average size of a whale shark is around 32 feet, whereas great whites grow to around 20 feet. However, whale sharks are believed to grow over 40 feet (20 metres), similar to that of a bus. They can also weigh up to 20 tonnes. Whale sharks do not have any natural predators.

Habitat

Most sharks prefer temperate climates, except for Greenland sharks, which live in the Arctic and Northern Atlantic. Some whale sharks have been found in colder North Atlantic water near New York, but most are found in warm, tropical waters such as the Indian and Pacific Oceans.

According to this National Geographic video, titled ‘Investigating the Mysterious Whale Sharks of Mafia Island,’ whale sharks help support small ecosystems, as they are often found with schools of smaller fish alongside them, presumably hoping to catch small morsels or plankton when the shark feeds.

My painting shows a school of smaller fish following one of the whale sharks:

Interestingly, this phenomenon has inspired local fishermen living on Mafia Island, Tanzania, to work alongside whale sharks to catch the fish without harming the sharks.

Deep divers

Although often found at the surface, whale sharks can dive further than 1000 metres. In one study, based in the Saudi Arabian Red Sea, researchers used three types of satellite-transmitting tags to track the movements of 47 whale sharks.

Their findings were impressive:

  • The whale sharks made frequent deep dives to at least 500 metres (1,640 feet);
  • Three of the tagged sharks made excursions below 1,000 metres (3,281 feet);
  • The deepest dive they recorded was 1,360 metres (4,462 feet).

Distinctive and unique spot patterns

Whale sharks are the only species of the genus Rhincodon, part of the family Rhincodontidae. They are classified within the order Orectolobiformes, which contains seven families of sharks and includes the carpet sharks. Carpet sharks are given the name due to their mottled body patterns, evocative of carpet-like designs.
 
Whale sharks are easy to identify due to their size and distinctive pattern of white spots and stripes. The patterns are believed to be as unique to each individual as a fingerprint is to a human. However, the purpose of their spots is a mystery. Typically, patterns occur to aid camouflage; wobbegongs (a common name given to the 12 species of carpet sharks within the family, Orectolobidae), use the spots on their bodies as camouflage as they rest on the seafloor, and to help them blend in with the reef.
 
Intriguingly, it has been suggested that the spots on whale sharks help protect the sharks from harmful ultraviolet rays.

Feeding habits

Most sharks are carnivores, but some, like the whale shark, are filter-feeders. Inside the whale shark’s mouth are several hundred rows of small, hook-shaped teeth. Although it has a mouthful of teeth, the shark doesn’t use them to bite or chew food.
 
The whale shark is one of three species of filter-feeding sharks, namely the basking shark, and the more mysterious but aptly named megamouth shark. The whale shark actively swims through plankton, sieving these organisms through its gills; it has been observed ram filter-feeding and at times, nocturnally. Whale sharks are migratory animals who appear to move to areas in conjunction with fish and coral spawning.
 
Sharks within the order Orectolobiformes have eyes set far back behind a small mouth. Unlike most sharks, where the mouth is underneath the snout, the whale shark’s mouth is nearly at the tip of its nose.
 

Reproduction and longevity

The whale shark is usually solitary, however, it is sometimes found in schools of up to hundreds of individuals. These animals are found mainly in the open sea, but they sometimes come near the shore. Their age of sexual maturity and reproductive biology is unconfirmed, however, scientists presume that whale sharks are ovoviviparous, where the females incubate fertilized eggs inside her before they hatch,  giving birth to fully formed live young. You can read more about ovoviviparity, and how it differs to viviparity, here. Each litter contains about 16 young, but litters of many more are possible. In the mid-1990s a female whose uterus contained nearly 300 young was caught near Taiwan. Like the other mysteries surrounding whale sharks, they have never been observed giving birth, and it is not known where this may happen.

It is thought that whale sharks are born between 40-60cm, but there are few sightings of individuals below 3m, and no one has yet determined where they go before reaching this size. However, one whale shark measuring just 38cm was found in the Philippines in 2009, suggesting it was a birthing ground and not simply used for feeding.

The gigantic size of whale sharks suggests they can live up to 100 years.

Whale Sharks, biodiversity, and conservation in the Philippines

As mentioned, the commissioned painting featured in this blog is part of an ongoing series of paintings of the Philippines.

Aside from its abundant natural mineral resources including gold and nickel (the country has the second largest gold deposit in the world), the Philippines is a biodiversity hotspot and a popular place for whale sharks to congregate; it is an archipelago consisting of more than 7,000 islands and is the smallest of the 17 megadiverse countries in the world. The Philippines covers only 2/100 of the total land area of the earth, yet 20,000 species of plants and animals have been recorded here, half of which are found nowhere else in the world. Read more on its biodiversity here.

Donsol, in the Philippine province of Sorsogon, has been identified as a whale shark hotspot, hosting one of the largest aggregations of whale sharks on Earth. 491 individual whale sharks have been identified at Donsol, this equates to 44% of all whale sharks identified in the country. Other large aggregations include Ningaloo Reef in Australia, Mexico, and Mozambique.

15 years ago, WWF Philippines partnered with Donsol and other tourism stakeholders to develop the Community-based Whale Shark Ecotourism Program and establish guidelines for whale shark interactions. Scientists are responsible for researching and studying individual sharks in an attempt to conserve them.

 

Endangered species

There are over 440 species of sharks in the world. These awesome creatures have outlived the dinosaurs, but many are now sadly threatened with extinction.

Due to threats to their ecosystem, whale sharks have been listed by the International Union for Conservation of Nature as endangered since 2016. Like all sharks and large fish, whale sharks are vulnerable to bycatch (becoming caught in fishing nets).
 
It is estimated that 100 million sharks and rays each year are killed by humans. If not victims of bycatch, most are killed by commercial fishermen for their fins and flesh. They are also sometimes illegally hunted and eaten as a delicacy in certain parts of Asia.
 
Sadly, sharks are greatly misunderstood. For instance, the orca whale is the ocean’s top apex predator, not the great white shark. On average, one person dies each year in the US from a shark attack. Cows, bees, wasps, dogs, and snakes are responsible for far more deaths each year in the US than sharks.

Indeed, whale sharks have no natural predators apart from people.

We need to remember that the ocean is their territory, not ours. Predatory species such as the great white, bull shark, or tiger shark, only attack if they confuse a person for their prey, usually fish or seals. It is best to bear this in mind if we choose to swim in areas of the ocean where they are present.

All sharks are vital to a healthy ecosystem

All marine life is essential to a healthy ecosystem and that of the planet as a whole. Sharks are vital as they maintain the species below them and are indicators of ocean health. The apex predators feed on weak and sick animals and ensure biodiversity.

Coral reef ecosystems, seagrass beds, and commercial fisheries have all declined due to the loss of sharks. Without sharks, larger predatory fish, such as groupers, increase in abundance in the coral reefs and feed on the herbivores. As the herbivores decrease, macroalgae increase and expand, leading to the loss of coral and the detriment of the entire reef system.

Majestic and awe-inspiring, yet vulnerable

I recently completed a four-week online course with the University of Southampton on ‘Exploring Our Ocean.’ One of the tasks was to upload an image, title, and description, to represent what the ocean meant to me; I uploaded my painting of whale sharks and titled it, ‘Majestic and Awe-Inspiring, yet Vulnerable.’ The wonders of nature surround us. For it to continue to inspire us, we should try to protect it from threats and exploitation.

Shark Week

With Shark Week upon us (9-16 August 2020), I thought it apt to share my painting of whale sharks. Created by the Discovery Channel to raise shark awareness, the event has grown online, with over one million hashtags on Instagram alone.
 
The Natural History Museum and the American Museum of Natural History have a ‘Nature Drawing Club’ and have included ‘Shark Week,’ so I have tagged them in the image on Instagram to help raise awareness of the vulnerability of whale sharks and the need to protect them.

Museums in Quarantine – Connecting Digitally Through Arts and Culture

Each year since 2014, museums across the world have collaborated in a shared initiative to celebrate their treasures with the public in an online festival known as ‘MuseumWeek.’

MuseumWeek has now grown to include over 60,000 participants from 100+ countries. According to its website, it has become the first virtual, worldwide cultural event on Facebook, Instagram, Twitter, Weibo, WeChat, and VKontakte.

Between 11 May- 17 May this year, many of your much-loved museums have been participating via their social media, at a time when it is vital to connect.

Technology has often had a strange tension between being a blessing and a curse. It has blessed people through the dissemination of information and connecting people in ways that otherwise would not be possible. However, it has also caused uncertainty, where the threat of technology consuming life has pervaded literature and the arts, from dystopian writers such as George Orwell and HG Wells to science fiction films like, but not limited to, Blade Runner (1982) and 2049, Terminator, RoboCop, and Alita: Battle Angel. As we begin to rely increasingly on technology, it is inevitable that we refer to visionaries who have imagined a future that has been absorbed by technology, either willingly or unwillingly, consciously or unconsciously, for good or bad. I took a while to join any form of social media and was only persuaded to do so in University, as a way to keep in touch.

There is also the issue of trust in images that pervade modern culture, such as the utilization of Photoshop, where images can so easily be manipulated and the lines between fact and fiction blurred. This is a fascinating issue that has been explored in Dr, James Fox’s The Age of The Image, a series that I would recommend watching on BBC iPlayer.

The idea of whether a happy equilibrium could be met between humanity and technology has become heightened in these recent extraordinary times, where imposed lockdowns and restrictions on movement due to Covid-19 has meant people have turned more to social media as a way to connect to others, to culture, the natural world, or whatever they miss from their normal routine.

As an artist, I spend much of my time in my studio creating, and I have seen other artists argue that they have been in lockdown ever since they can remember. However, I also feel acutely the lack of being able to freely move without restriction. I think however that often, and not to become too philosophical, that even as prisoners of war can attest, freedom ultimately lies in your mind.

Times of hardship have often proven to activate the imagination and creativity, reinspiring people to see their surroundings in a whole new light, bringing forth a mental and even spiritual transformation.

Rather than being overcome by inertia, those working at these places of culture have become even more resourceful during the lockdown. As James Fox rightly says, you can’t lockdown, or lock up the imagination. Throughout the lockdown, James has been sharing pieces of art on his Twitter account that he feels will help people come to terms with isolation. You can follow him @doctorjamesfox.

Since joining social media, I have enjoyed following my favourite museums on Instagram and Twitter, when I have not been able to attend in person. Museums such as The Wallace Collection, the V&A, the Louvre, the British Museum, The Museum of Natural History, The Science Museum, The Met, amongst so many others. I also enjoy following other art institutions such as Christie’s or National Trust properties like Waddesdon Manor, as, like the other museums I mentioned, they consistently share their most beloved treasures and stories in a way that engages the viewer and informs them, keeping their minds occupied and relieving boredom. You can even get involved with their accounts by participating in their interactive challenges, such as creating an artwork based on an item in their collection or reenacting a famous painting.

The willingness of the public to engage with these institutions online proves to me that time and again, arts and culture provide a vital means of education, inspiration, and entertainment at any period of time and are a way of understanding current experiences. By seeing stories from the past or how artists have translated their times, whether they have lived through war or peace, can often be a way of inspiring further generations on how to react in our times. Technology can never replace a loved one, but for those struggling with not being able to be physically close to those they love most, social media can be a form of comfort and can help reinforce gratitude and appreciation. Seeing through the eyes of a curator or artist can not only help relieve boredom, but also anxiety, bringing a sense of peace to the viewer.

Even when there is no lockdown, I would recommend following MuseumWeek’s account, or simply your favourite museums and art galleries on social media, either Facebook, Instagram, or Twitter, or if you are like me, a combination of all three.

Personally, I have enjoyed learning new things about The Wallace Collection, Christie’s, and The National Trust’s Waddesdon Manor, to name a few (a more extensive list is included at the end of this blog). All three actively invite the public to get involved with them through various activities and challenges.

Based in Manchester Square, London, The Wallace Collection is a cornucopia of eclectic and exquisite items housed within beautiful interiors, including armour, sculpture, furniture,  and paintings, collected by the Marquesses of Hertford and Sir Richard Wallace in the 18th and 19th centuries. My father and I had actually booked to attend a day’s conference on Indian, Iranian, and Ottoman arms and armour at the museum, which we look forward to attending when possible.


The Wallace Collection’s IG page. 

Waddesdon Manor in Aylesbury, Buckinghamshire, one of my favourite National Trust properties, if not favourite (it bears a remarkable and convenient resemblance to my beloved uni, Royal Holloway), was founded by The Rothschild family of Jewish bankers, and is a beautiful French Renaissance house, with sumptuous interiors, an exciting sculpture trail, and a lovely history of supporting the local community.


Waddesdon Manor’s IG page.


Waddesdon Manor’s Twitter page, which has a different collection of stories to its other accounts.

Christie’s, located on Kings Street, St James’, also has a wonderful collection of treasures that vary in each auction, from ancient history to the present day.



Christie’s’ Instagram page.

I would always argue that we should never rely on technology and that physical relationships are always superior, however, technology has a surprising way of blessing us in ways that might not previously have been appreciated.

I follow a lot of accounts that focus on my interests (quite a few it seems!), such as history, the natural world, space science, wildlife, design, fashion, interiors, engineering, architecture, art, and even technology itself as a means of design. I honestly believe that you never stop learning and that you can learn from anything and anyone, whether online or offline; it is your attitude that determines whether it is beneficial to you or not.

I think having an appreciation of arts and culture encompasses a cross-section of so many other fields, such as history, fashion, etc and enriches people in such an important way, acting as a vital artery to society itself. It has even been proven to be effective as a form of art therapy for people facing loneliness, whether in lockdown or not, rates of suicide, etc and problems with mental health; feeling a connection to someone, whether you know them or not, whether online or offline, can be very important, and even more so at this time. Even accounts such as the National Geographic or NASA help you to transcend your physical limitations, transporting you to different places in an instant. I will gladly argue that you will find following these accounts very rewarding and enriching, even liberating, whether you are in lockdown or not.

I would also argue that following these places digitally encourages the viewer to want to visit their physical space, if at all possible, and to support them in the physical world. Let us not forget that social media is a free service, and if you can, please support them through a donation or even liking and following their page, as it is a way of showing your appreciation of those people curating such entertaining and educational pieces of content, letting them know that what they do is as valued as any other essential service or area of society.

The themes that MuseumWeek has already covered include #heroesMW, timely after the 75th anniversary of VE Day, and #CultureInQuarantineMW.

Today, on Wednesday 13 May, the theme is #togetherMW, which seems wholly appropriate for the current times.

We can look forward to Thursday’s #MuseumMomentsMW, where museums will recall memories, #climateMW on Friday for climate change (timely after Earth Day on 22 April), #technologyMW, to justify their digital presence, finishing with #dreamsMW.

I have included just a selection of my favourite arts and culture accounts to follow below, for both MuseumWeek and in general:

The Wallace Collection
Instagram – @wallacemuseum
Twitter – @wallacemuseum
Facebook – @wallacemuseum

Christie’s
Instagram – @christiesinc
Twitter – @ChristiesInc
Facebook – @Christies

Waddesdon Manor
Instagram – @waddesdonmanor_nt
Twitter – @WaddesdonManor
Facebook – @WaddesdonManor

The V&A
Instagram – @vamuseum
Twitter – @V_and_A
Facebook – @victoriaandalbertmuseum

Fitzwilliam Museum
Instagram – @fitzmuseum_uk
Twitter – @FitzMuseum_UK
Facebook – @fitzwilliammuseum

The Louvre
Instagram – @thelouvremuseum
Twitter – @MuseeLouvre
Facebook – @museedulouvre

The British Museum
Instagram – @britishmuseum
Twitter – @britishmuseum
Facebook – @britishmuseum

The Natural History Museum
Instagram – @natural_history_museum
Twitter – @NHM_London
Facebook – @naturalhistorymuseum

The Science Museum
Instagram – @sciencemuseum
Twitter – @sciencemuseum
Facebook – @sciencemuseumlondon

The Met
Instagram – @metmuseum
Twitter – @metmuseum
Facebook – @metmuseum

The American Museum of Natural History
Instagram – @amnh
Twitter – @AMNH
Facebook – @naturalhistory

MuseumWeek
Instagram – @museumweek
Twitter – @MuseumWeek
Facebook – @MuseumWeekOfficial

*Please note, all opinions are my own*